The modern world as referenced in today’s abstract images is shaped by the binary structures of computer programs and is thus already abstract. Technological infrastructures are part of our everyday life and our economic and political systems; they influence our sense of self.
Abstract structures become less accessible, replaced by smooth, superficial, parallel worlds that appear to extend our physical surroundings seamlessly. The artists represented here are exploring the aesthetic potential of our digital environment. They look below the surface of the computer screens for errors and gaps in the systems. They play with the computer’s capacity to create (moving) images that open up new spaces and points of access to the physical world. In so doing they also probe the physical perception of imaginary digital worlds.
How do programmed movement, tone and color affect us? How can classical beauty be represented digitally, and which digital abstractions and compositions will go viral?
The work test the boundaries of perception through rhythmic, whirring, repeating compositions. Other positions bring the aesthetics of coded language into the design of objects, showing how digital reality has long been a part of our physical world.
The exhibition also presents artistic works that allow visitors to create abstract forms and structures using Apps, thereby experiencing the transformations of their own real language into a digital one. Time and again the exhibition departs from the usual approach to technological developments whose political and commercial interests are not entirely transparent. They transform and help shape the abstract environment. As such, they create their own aesthetic abstractions related to our concrete world and its parallel, hidden world of data.
In addition to the exhibition ‘Digital Abstractions’ project includes a blog that serves as a platform for exchange on various themes and works; an online catalogue that functions as a data collection tool; and an e-book in which authors and artists reflect on the theme of ‘digital abstractions’.
With works by:
Zach Blas, Cyriak, Ted Davis, Andreas Gysin & Sidi Vanetti, Femke Herregraven, Esther Hunziker, Lazar Jeremic, Rainer Kohlberger, LAb[au], Karin Lustenberger, Alexandra Navratil, Pier Giorgio de Pinto, Sabrina Ratté, Elisabeth Ritschard, Rafaël Rozendaal, Nicolas Sassoon, Quayola, Zeitguised
After a talk with Rafaël Rozendaal at around 6 PM, the exhibition will open. At around 8:30 PM, there will be a concert featuring artist Rainer Kohlberger, whose work features in the exhibition. With his audiovisual experiments, Kohlberger involves the body of the visitor in an algorithmic composition consisting of impulses, sound and light.
26.05.2016 - Filmabend Fractured Gestures. Kuratiert von Robert Seidel. HeK
20.04.2016 Art talks. Reinhard Storz HGK
03.05.2016 Art talks. LAb[au]. HGK (Studiokino)
18.05.2016 Art talks. Eva Firscher. HGK
The ‘Digital Abstractions’ project is a co-production of Xcult.org, the Art Institute of the Academy for Art and Design Basel (HGK FHNW) and the HeK (House of Electronic Arts Basel).
The project is supported by the Christoph Merian Foundation, the Experts Commission on Audiovision and Multimedia (Basel-Stadt and Basel-Landschaft) and the Pro Helvetia, Swiss Cultural Foundation.
The exhibition was curated by Alexandra Adler and Reinhard Storz.